2008 is a memorable year for the University of the Philippines, because…because UP’s turning 100! UP has been preparing for the centennial year for like forever. haha. The festivities started last year I think, with different units and organizations spearheading activities for the centennial year–from song writing contests to quiz bees, shirts and planners, lectures, and many more.
The latest, aside from the various lectures of Nobel laureates and UP honed scientists, is an Art Contest. The Oblation Nation Art Contest is an offering from CANVAS in collaboration with UP’s College of Fine Arts Alumni Association. Now, this is one centennial offering I’m looking forward to. I may not have the artistic capabilities but I am fond of art. And, art is never boring, especially when you compare it to the talking heads in the lectures. hehe. Here’s a short description of the competition from the organizers’ blog.
The competition is inspired by the UP’s Oblation – but we are not necessarily looking for an artistic interpretation of this famous icon. The Oblation stands for something that transcends UP, UP students or even the image of the Oblation itself – the selfless offering of one’s self for his or her country. For this reason, the competition is open to all Filipino students, not just UP students.
The Oblation was made by Professor Guillermo E. Tolentino with the help of Anastacio T. Caedo, his student apprentice. According to a book tribute to Guillermo Tolentino, it was Anastacio Caedo, not Fernando Poe Sr., who served as the model for the sculpture. The idea for the Oblation was first conceived during presidency of Rafael Palma, who was the one to commission Tolentino to make the sculpture. Palma requested that the statue would be based on the second verse of Jose Rizal’s Mi Ultimo Adios;
In fields of battle, deliriously fighting, Others give you their lives, without doubt, without regret; Where there’s cypress, laurel or lily, On a plank or open field, in combat or cruel martyrdom, If the home or country asks, it’s all the same–it matters not.
The concrete sculpture painted to look like bronze (the sculpture was cast in Bronze much later, in 1950), measures 3.5 meters in height, symbolizing the 350 years of Spanish rule in the Philippines. The sculpture is replete with references of selfless dedication and service to the nation, and as Tolentino himself describes it:
The completely nude figure of a young man with outstretched arms and open hands, with tilted head, closed eyes and parted lips murmuring a prayer, with breast forward in the act of offering himself, is my interpretation of that sublime stanza. It symbolizes all the unknown heroes who fell during the night.
The statue stands on a rustic base, a stylized rugged shape of the Philippine archipelago, lined with big and small hard rocks, each of which represents an island. The “katakataka” (wonder plant) whose roots are tightly implanted on Philippine soil, is the link that binds the symbolized figure to the allegorical Philippine Group.
“Katakataka” is really a wonder plant. It is called siempre vivo (always alive) in Spanish. A leaf or a piece of it thrown anywhere will sprout into a young plant. Hence, it symbolizes the deep-rooted patriotism in the heart of our heroes. Such patriotism continually and forever grows anywhere in the Philippines.
We want to see this spirit and intent behind the Oblation in contemporary art. We hope you do too, and that you will join the competition.
Entries are to be rendered on a 24×24 canvass, in oil/ and or acrylic. Artists can submit a digital photo and a brief statement about their entry by email to [email protected].
Deadline of submission is on February 28, 2008. Prizes up for grabs includes a P20, 000 cash prize and a chance at having their artwork exhibited. So to all Filipino student artists out there what are you waiting for?
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